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Rating: 3/5

Lost References:

There are so many references to this work, some of which I didn’t even catch until reading up on fan sites. Where to begin?

A man named Henry Gale crashes on the island in a hot air balloon. (Ben Linus steals his identity.) Later, Sawyer calls Tom Friendly, one of the Others, “Zeke.” Zeke is one of the farmhands that works for Henry Gale, just as Tom works for Ben.

There is an episode titled “The Man Behind the Curtain” in which Locke calls Ben this and then directly mentions the Wizard of Oz. (As it turns out, the actual powerful being behind the curtain is Jacob, though he, unlike the Wizard, has real powers.) There is also a three-part episode called “There’s No Place Like Home” with flash forwards for Jack, Hurley, Sayid, Sun, Kate, & Aaron.

Then there are also some references to the film, like a character getting crushed and having red shoes sticking out. (In the book, they were silver shoes, not ruby slippers.) But such references don’t really count, so I think I’ll let it go here.

Speaking of shoes, Dorothy uses her shoes and a wish to return home to get back to Kansas. To get back to the Island, Jack thinks he needs his father’s shoes.

On a larger, thematic note, both stories are about people being caught in a storm and thrown into a magical land.

Thoughts:

If I’m honest, I didn’t really care for this book. It wasn’t bad, but with all the hype around both the book and the movie, I was expecting a little bit more. It was written very simplistically, which one would expect from a children’s book, but there was far more “telling” than “showing” in the action. I never really felt engaged or like I was part of the story, just observing from the outside. Dorothy’s emotions especially were told very passively, and even when she did say or do things that would support the purported emotions, it just wasn’t enough to make up for the rest.

Rating: 2/5

Lost References:

Desmond has read it.

Thoughts:

I don’t mind the occasional domestic novel (Alcott’s Little Women, for example). This one, however, was overly simplistic, even taken by itself and not compared to Dickens’s other works. It does suffer enormously by comparison. For instance, the antagonist experiences an instant, unbelievable transformation from grumpy miser to lonely old man, and the instant change is completely out of the blue, unlike the change in Scrooge from Dickens’s Christmas Carol. If I were to say one good thing about the book, it would be that Dickens continues in his solid command of the English language; he knows how to turn a phrase. But his talents are better displayed elsewhere.

Rating: 3/5

Lost References:

Desmond’s read everything by Dickens.

Thoughts:

As usual, Dickens cleverly connects his storylines. Unfortunately, I couldn’t stand the protagonist and his obsession with the cold and unpleasant girl who was clearly toying with him.

Rating: 3/5

Lost References:

Ilana has a Cyrillic edition of this book; Hurley finds it after her death. Thematically, it’s about suffering, and it touches on the free will vs. predestination debate. Also, the philosopher Rousseau is referenced (the one Lost’s French woman is named after).

Thoughts:

I’ve read some of Dostoyevsky’s short stories before, but remember enjoying them more than this novella. (I’m afraid I’m just not a fan of existentialism.) As in Notes, he sketched characters so vividly and realistically (flaws and all) that I have to admire him for that. Also as in Notes, he doesn’t always trouble himself with much plot, but that’s easier to get away with in a short story. Here, the first half of the book was taken up with a philosophical essay, and even after that was over, the narrator still did a lot of musing. I think I’ll take a break from Dostoyevsky before diving into The Brothers Karamazov, though I hear it has more of a story line.

Rating: 3/5

Lost References:

Ben has this book on his shelf.

Thoughts:

I loved this book at first – there was more humor and excitement than I expected. Then the storyline took a nosedive and the rest of the book became a string of ethical discussions. Stowe just seemed to lose the plot and ramble instead.

Rating: 5/5

Lost References:

This book shares a title with a Jack episode. The title, according to a podcast by Damon Lindelof and Carlton Cuse, refers to the two main Island settlements – of the Losties and the Others. Also, Desmond’s read it.

Thoughts:

Unrequited, sacrificial love and mindless, bloody hatred. This novel touches on some pretty big themes and does so with dignity and style.

Rating: 2/5

Lost References:

There are two Kate-centric episodes that reference this book. One is called “What Kate Did,” and a later one is called “What Kate Does.”

Thoughts:

Overly moralistic. Kids don’t read to be preached at, but that’s what this does. Granted, they’re good morals for kids to learn, but they should be presented in a more palatable/entertaining format if you’re going to call it fiction. (Take the Berenstain Bears, for instance. They can manage even the most awkward subjects.)

Rating: 3/5

Lost References:

The phrase “sursum corda,” Latin for “lift up your hearts,” is written three times on the blast door in the hatch. Yes, it’s also part of church liturgy – different versions for different churches – so I read some of those versions, too. But I’m going with the Emerson poem because, well, it’s literature, and that’s what I’m reviewing in this blog.

Thoughts:

The poem deals with predestination, a Lost theme. I like that the poem’s short, and to honor that achievement, I’ll keep my review short:

It had a couple good phrases but was largely unimpressive. Emerson had better (but this was one of his early poems, after all).

Rating: 3/5

Lost References:

Locke draws what he remembers of the writing from the Swan’s blast door on a page with this (French) poem.

Thoughts:

I like what it says about people bickering about the arts when they should just sit back and enjoy them like children do. It may seem like this is the opposite of what I’m doing here, but I’m not arguing with anyone about the books; putting some thought into them doesn’t damage them at all. Unless I think about them too much…For more on this, see Lord of the Flies.

Rating: 4/5

Lost References:

Desmond goes on a sea voyage and gets lost for years. When he finally gets back, he marries Penelope, which is the name of the wife Odysseus finally comes home to after his years lost at sea. This book is also in the Lost game Via Domus (which is particularly fitting, since the name translates to “The Way Home”).

Thoughts:

It’s more entertaining than the Iliad, for those of you who read that one and were bored by Homer (even I thought it dragged). For starters, there’s more of a storyline. It’s not just a big, long battle. It’s a string of adventures that take cleverness as well as strength. Though still present and meddling, the gods aren’t as involved as they are in the Iliad, either. I should also mention that the whole style is so different that some scholars speculate that Homer didn’t write it, and I tend to agree with them. (If you’re interested, read up on Robert Graves’s theories.) The one thing I don’t like about the Odyssey book is how Odysseus keeps forgetting about Penelope. Still, it works out in the end.

Above: Left, screencap of Desmond and Penny’s reuinion and right, detail of Odysseus Returns to His Wife Penelope by Isaac Taylor.

You might as well face it: You're addicted to Lost.

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