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Rating: 4/5

Lost References:

Again, this book took place during the first season of Lost, though it didn’t include the crash like the others did. This one includes the motifs of art, dreams/visions, and ghosts.

Thoughts:

I liked that it actually added to the Island mysteries, as opposed to Endangered Species, which was basically about a jungle adventure. I liked that, unlike the other two books, it actually incorporated the show characters into the actual plot instead of using them as props to frame the scene and convince us we were in Lost. However, it does miss out on the use of original secondary characters on the Island, which Hapka’s works at least tried to do. Besides that, it annoyed me that Jeff spent half his flashback time sleeping around, which I consider especially wasted space because he’s otherwise the most developed and realistic of the three books’ main characters. The most obvious flaw in the book, though, is its serious need for editing. There were many technical errors, like referring Jeff as Jack within the book and Nick on the back cover blurb, of all places. There were times when the author did things like suddenly jump between character perspectives or break from the Island-flashback-Island chapter structure. Then there was the ending. Just like the Return of the King movie, this book suffered from several false endings after the climax. All in all, this book had more promise than the other two character-wise and plot-wise, but it comes across as a very unfinished product.

Rating: 3/5

Lost References:

Like the first novella in the series, it’s set in the Lost-universe just after the crash.

Thoughts:

This one is pretty on par with Endangered Species, and again, the author tackles a common Lost theme: secret identities, obviously. Out of curiosity, I did some research on the author and found that she’s written a bunch of books – some of them tie-ins for companies like Disney and Lego, essentially professional fan-fiction. That really is what you get when reading Secret Identity and Endangered Species: good fan-fiction, no more and no less. You can tell the author is in love with all the existing characters, but it does mean that in both books, original characters apart from the main one don’t get much development. But no one reads these things for the literary value, right? Just enjoy them for what they are.

Rating: 3/5

Lost References:

This semi-canonical novella is set on the Island immediately following the Oceanic crash (except for the flashbacks, of course).

Thoughts:

The writing seemed amateurish, especially in the unnatural dialogue. However, it did move along at a good pace, and it handled some of the themes that readers would expect in Lost, if in a heavy-handed way. (The main character’s name is Faith, she struggles with self-confidence, she has a secretly violent past, etc. It is also formatted so that the 23 chapters alternate between Faith’s present and her flashbacks.) The big upshot for this book was that it did, in fact, focus on someone other than a member of the show’s main cast. It makes sense, considering how many people were on that flight, and I’m glad those responsible for these tie-in books decided to take that route. So, don’t expect anything deep, but your average Lost fan would probably get some enjoyment out of the experience.

Rating: 4/5

Lost References:

Some passengers disappear from a plane, like in Left Behind, but this book has circumstances much closer to Lost. They disappear due to time travel. Also, Damon Lindelof said that this book was an influence on Lost.

Thoughts:

This is one of four novellas in Stephen King’s Four Past Midnight collection, one of the ones I enjoyed. The Sun Dog was equally compelling. Secret Window, Secret Garden was good, too, if slightly forgettable. The Library Policeman, which I originally read the collection for, was a complete waste of time. High on squick, short on plot. I’m not here to review these, but if anyone wants more details, just ask.

As for The Langoliers, it’s classic Stephen King. There are plenty of weird people, including a villain who’s clinically insane and quite pathetic. The monsters are stranger than usual – little fuzzy balls with too many mouths that eat time (and everything else).

Rating: 2/5

Lost References:

This is the title of a Kate-centric episode. The little boy referred to in the title is Aaron, who Kate is raising.

In the book, the prince lives on asteroid B-612, and Danielle Rousseau’s research vessel is called the Bésixdouze, which is B-six-twelve in French.

Also, this story is about a pilot who makes an emergency landing in the desert and meets this weird kid, and ironically, the aviator author later took off on a flight and was never heard from again. The wreckage of his plane was finally found in 2003, but without a body. The mystery lives on.

Thoughts:

The prince was just a little too unbelievable for my taste. A little too out there. Not at all relatable to the target audience except for his overabundance of imagination. He’s too perfect but condescending – instantly sorry for all the grown-ups he meets because of their vices (like the “tippler,” who I was surprised to find in a kids’ book… I guess authors had more latitude for that stuff back in the day).

Inevitably, I have to compare his reaction to Sara in Frances Hodgson Burnett’s A Little Princess, which is a story about a girl barely older than the little prince who has a similar outlook on life. Even though Sara is more perfect than your average schoolgirl, she still has a wider range of emotions than the little prince. Sometimes she gets upset or angry even. And when she feels sorry for someone like the prince does, it’s not just an abstract emotion. She does something about it. She cheers up her fellow servant with stories. She shares her food with equally hungry children. Everything may work out for her in the end, but she’s a whole lot more likeable than Saint-Exupery’s prince.

Rating: 5/5

Lost References:

This is the title of one of the show’s Kate-centric episodes. Also, some of the passengers on the Ajira flight disappear like the passengers in Left Behind.

Thoughts:

I actually read all but the last book in the series. The first bunch were excellent, with an interesting cast that just kept growing (kind of like Lost, or the other way around, because I read Left Behind before seeing Lost). Unfortunately, at some point about halfway through, the authors seemed to lose inspiration and creativity. But they kept pumping them out, milking the concept for all it was worth. (Probably the authors got greedy.) So, I’d say it’s worth sticking around for a while, but you definitely won’t get much out of the last handful unless you just have to find out what happens to your favorite characters. Or the related books, for that matter. I tried the teen spinoff, and I have to say that idea was just not happening.

Rating: 3/5

Lost References:

Desmond Hume finds a Brazilian Portuguese copy of this book (titled Ardil-22) in the episode “Catch-22.” The title is appropriate for this episode, as it’s centered around Desmond, who was himself quite confused during his brief stint in the military. (His mind was jumping in time. What excuse does Yossarian have for his fragmented storytelling?) The Portuguese book belongs to the multilingual Naomi. It falls out of her bag when her helicopter crashes. (Oh, crashes are pretty common in Catch-22.)

My Thoughts:

I borrowed this book from a friend who is absolutely in love with it. Sorry, Carolyn, I don’t love it as much as you do, but I still enjoyed reading it. Definitely, I enjoyed the clever word play. I was also pretty pleased with Orr by the end, doing all those odd things that turned out to be intentional.

You might as well face it: You're addicted to Lost.

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